@fede_fauli

Most important group exhibitions

Mextropoli 2020/2021

Seoul Biennale 2021

Venice International Fair

Most important Awards

Renzo Piano Fellowship

African Architecture Award

Federico Fauli graduated in Architecture (BA) at the Politecnico of Milan in 2015 and received his Diploma from the Architectural Association in 2018. Since 2018 he has been working at the Renzo Piano Building Workshop in Genova, up to early 2019 when he joined Zaha Hadid Architects in London. While working for international architectural firms, he has been practicing independently winning design competition. Winner of The Renzo Piano Building Workshop Sponsorship, among other awards such as the MAD Fellowship, the Tamayouz International Award, and the African Architecture Award. His work has been widely published in magazines, books, and digital platforms such as Archdaily, The Architects’ Journal, Bustler, AZURE, Arch20, The Archiologist, and on AA publications such as the book “Scavengers & Other Creatures in Promised Lands”.

He experiments with fabrication techniques and materials as instruments to question the faceted nature of architectural practices while researching iconographical gestures enabling the mutual immanence among objects, rituals, and bodies. Exploring how it triggers unconventional spatial languages, between geometrical abstraction and figurative instances.

He participated as a guest in several Juries and Crits at both the Architectural Association and the Politecnico of Milan. Selected to showcase at the Seoul Biennale 2021, Mextropoli 2021, Contemporary Venice, and Future Is Now international. From 2019 is an active collaborator of Lemonot (Mextropoli Pavilion 2020), Pump3000, Rug Artisan Ltd, LV Architects, and working on Future collaborations with AllRightReserved.

“My artistic statement is carved in my latest project Coscienza Intuitiva. Constantly trying to emphasize the lack of content, of language, of meaning, in the field of social relationship between people, that is mediated by images. Repeated, shared, liked. Where Truth becomes a moment of falsehood. Representation has become a simulation of the meaning of the present through superfluous repetition of any image. My work is fousing on the compilation process that visualizes the complexity of the current digital age, its fragmentation and acceleration, the accumulation and ubiquity of objects and images. I am trying to elaborate a new visual language based on the amalgamation and supercollection. Highlighting the value of the leftover and at the same time sculpting a reminiscence of specific junctures in time, Always defined as a bold critique towards the current social and image-related society, while trying to sculpt a tangible reference, a Physical Memento, an Archive of the current and past events. Challenging the relationship between beauty and culture.” —Federico Fauli